Ernő Dohnányi: Ruralia Hungarica pour orchestre op. 32b (extraits)
Dohnányi, Ruralia Hungarica (extraits, OPRL, Gergely Madaras)
Orchestre Philharmonique Royal de Liège
2024
Dohnányi, Ruralia Hungarica (extraits, OPRL, Gergely Madaras)
Orchestre Philharmonique Royal de Liège
2024
Gergely Madaras is Music Director of Orchestre Philharmonique Royal de Liège. Having taken up the position in September 2019, they are enjoying a fruitful relationship with numerous series in Liège and Bozar Brussels, regular broadcasts on Mezzo TV, Medici TV and RTBF, and a growing recording catalogue for Alpha Classics, Cyprés and Nomad Play labels. Gergely stepped down as Music Director of the Orchestre Dijon Bourgogne in 2019 and as Chief Conductor of the Savaria Symphony Orchestra in his native Hungary in 2020, having held both positions for 6 years.
ØRJAN MATRE: Four miniatures, No 2. Op. 3
RICHARD STRAUSS: Burlesque
BRAHMS: Symphony, Nr. 4
Martin Helmchen – piano
Norwegian Radio Orchestra (KORK)
Gergely Madaras – conductor
More info TicketsDEBUSSY: Prélude to an afternoon of a Faun
CHRISTIAN MASON: Thaleia – flute concerto (Hungarian Premiere)
R. STRAUSS: Horn concerto in E flat major, op. 11
R. STRAUSS: Don Juan, op. 20
Noémi Győri – flute
Éva Lilla Fröschl – horn
Kodály Philharmonic Debrecen
Gergely Madaras – conductor
More info TicketsLÁSZLÓ WEINER: Ouverture
VIKTOR ULLMANN: Symphony, Nr. 2
MAHKER: Symphony, Nr. 1 3rd movement
Klezmer!
Norwegian Radio Orchestra (KORK)
Urban Tunélls Klezmer Band
Gergely Madaras – conductor
More info TicketsLISZT: Concerto No.2 in A major, for Piano & Orchestra, S.125
LISZT: Dante Symphony (Eine Symphonie zu Dantes Divina Commedia), S.109
Orchestre Philharmonique Royal de Liège
Julien Libeer – piano
Chœur Symphonique de Namur
Gergely Madaras – conductor
More info TicketsGergely Madaras replaced Zubin Mehta on 22 June at the prestigious Maggio Musicale Festival in Florence. This special occasion was also his succesful debut with the Orchestra del Maggio Musicale Fiorentino.
Read moreIn 2012, I was the first recipient of English National Opera's Mackerras Conducting Fellowship, made possible by the Philip Loubser Foundation. I explain how the opportunities for mentoring and interaction with artists across a variety of genres are as valuable as the conducting experience.
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